



Student Project
|
UX.UI
|
6 Weeks
|
2026
Student Project
|
UX.UI
|
6 Weeks
|
2026
ANTI AGING BRAND FOR PEOPLE WHO REFUSE TO DIE
Lord Voldemort, AKA the Dark Lord, AKA not exactly the nicest wizard in the Harry Potter universe- is defined by one fairly inconvenient obsession: immortality.
Vol De Mort turns that obsession into a conceptual luxury anti-aging brand built around an e-commerce experience. His seven Horcruxes become a collection of seven products, each offering
a different way to fight aging, decay and, ideally, death itself. Rather than creating another website dressed in familiar Harry Potter aesthetics, I wanted to build a brand around Voldemort himself — his obsessions, personality and worldview.
The goal was to make it feel less like merchandise from the wizarding world and more like the kind of brand Voldemort might genuinely launch — if world domination ever stopped keeping him busy…
ANTI AGING BRAND FOR PEOPLE WHO REFUSE TO DIE
Lord Voldemort, AKA the Dark Lord, AKA not exactly the nicest wizard in the Harry Potter universe- is defined by one fairly inconvenient obsession: immortality.
Vol De Mort turns that obsession into a conceptual luxury anti-aging brand built around an e-commerce experience. His seven Horcruxes become a collection of seven products, each offering
a different way to fight aging, decay and, ideally, death itself. Rather than creating another website dressed in familiar Harry Potter aesthetics, I wanted to build a brand around Voldemort himself — his obsessions, personality and worldview.
The goal was to make it feel less like merchandise from the wizarding world and more like the kind of brand Voldemort might genuinely launch — if world domination ever stopped keeping him busy…
ANTI AGING BRAND FOR PEOPLE WHO REFUSE TO DIE
Lord Voldemort, AKA the Dark Lord, AKA not exactly the nicest wizard in the Harry Potter universe- is defined by one fairly inconvenient obsession: immortality.
Vol De Mort turns that obsession into a conceptual luxury anti-aging brand built around an e-commerce experience. His seven Horcruxes become a collection of seven products, each offering
a different way to fight aging, decay and, ideally, death itself. Rather than creating another website dressed in familiar Harry Potter aesthetics, I wanted to build a brand around Voldemort himself — his obsessions, personality and worldview.
The goal was to make it feel less like merchandise from the wizarding world and more like the kind of brand Voldemort might genuinely launch — if world domination ever stopped keeping him busy…
RESEARCH & VISUAL DEVELOPMENT
The research began with the logic behind Voldemort’s Horcruxes- splitting his soul and hiding its fragments across seven objects as a way of escaping death. I also studied beauty and e-commerce brands to understand what makes them feel believable, from product photography and poses to image variety and product-page structure.
That thinking carried into the formulas themselves, borrowing ingredients and references from the Harry Potter world and shaping a visual language somewhere between luxury skincare and something you probably shouldn’t touch without gloves.
The research began with the logic behind Voldemort’s Horcruxes- splitting his soul and hiding its fragments across seven objects as a way of escaping death. I also studied beauty and e-commerce brands to understand what makes them feel believable, from product photography and poses to image variety and product-page structure.
That thinking carried into the formulas themselves, borrowing ingredients and references from the Harry Potter world and shaping a visual language somewhere between luxury skincare and something you probably shouldn’t touch without gloves.
With the direction already defined, AI became a tool for building that world. I first developed the seven products, followed by three recurring models with pale skin, bleached brows, darkened eyes, slicked-back hair and a few other details that gave the brand its slightly unsettling beauty language.
A large moodboard guided the process, while repeated generations and careful refinements helped maintain consistency across different products, poses and angles- letting AI execute the world I had in mind rather than decide what it should look like.
With the direction already defined, AI became a tool for building that world. I first developed the seven products, followed by three recurring models with pale skin, bleached brows, darkened eyes, slicked-back hair and a few other details that gave the brand its slightly unsettling beauty language.
A large moodboard guided the process, while repeated generations and careful refinements helped maintain consistency across different products, poses and angles- letting AI execute the world I had in mind rather than decide what it should look like.
RESEARCH & VISUAL DEVELOPMENT
The research began with the logic behind Voldemort’s Horcruxes- splitting his soul and hiding its fragments across seven objects as a way of escaping death. I also studied beauty and e-commerce brands to understand what makes them feel believable, from product photography and poses to image variety and product-page structure.
That thinking carried into the formulas themselves, borrowing ingredients and references from the Harry Potter world and shaping a visual language somewhere between luxury skincare and something you probably shouldn’t touch without gloves.
With the direction already defined, AI became a tool for building that world. I first developed the seven products, followed by three recurring models with pale skin, bleached brows, darkened eyes, slicked-back hair and a few other details that gave the brand its slightly unsettling beauty language.
A large moodboard guided the process, while repeated generations and careful refinements helped maintain consistency across different products, poses and angles- letting AI execute the world I had in mind rather than decide what it should look like.

SIGILS
With the direction already defined, AI became a tool for building that world. I first developed the seven products, followed by three recurring models with pale skin, bleached brows, darkened eyes, slicked-back hair and a few other details that gave the brand its slightly unsettling beauty language.
A large moodboard guided the process, while repeated generations and careful refinements helped maintain consistency across different products, poses and angles- letting AI execute the world I had in mind rather than decide what it should look like.
SIGILS
With the direction already defined, AI became a tool for building that world. I first developed the seven products, followed by three recurring models with pale skin, bleached brows, darkened eyes, slicked-back hair and a few other details that gave the brand its slightly unsettling beauty language.
A large moodboard guided the process, while repeated generations and careful refinements helped maintain consistency across different products, poses and angles- letting AI execute the world I had in mind rather than decide what it should look like.






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